ONDAS WAV

FANTASTiC | 19 September 2020 | 290 MB

(Compositions and Stems)

10 compositions, each dwelling in their own world amongst their own unique sounds. All sounds were meticulously recorded, arranged and mixed in order to deliver quality samples for your production. Combining acoustic and electric instruments, vintage synthesizers and the layering of my vocals. The multi-genre samples can be used to produce for anyone, predominantly ranging between the Hip-Hop and R&b pocket. May the drums slap!

In The Key Of A WAV

JKST | 30.03.2020 | 2.95 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

In The Key Of Bb WAV

JKST | 30.03.2020 | 4.5 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

Analogue Overdrive

Team DECiBEL | 26 Feb 2021 | 694.7MB

Analogue Overdrive – a high voltage collection of supreme analogue sounds, featuring beastly mono synths, angelic string synths and guitar-rigged synth filth. Every sound here is 100% Royalty Free, with a myriad of classic synths for your studio and future productions. Let’s put the synth pedal to the metal! Prepare yourself for Analogue Overdrive – 1GB of Loops, One Hits and Sampler Patches taken from a myriad of classic synths! Loops from the SH101, Synare III, Korg MS20 and Mooger Fooger pedals come bursting with big bass, analogue energy and sci-fi weirdness – in tempo-synced glory. Bring devastatingly evil analogue overtones to your mix with amplified synths recorded direct through a Marshall guitar amp – as well as dirty basses, warm chords, synth leads, phat analogue percussion and a truly epic selection of FX. Analogue Overdrive comes with 900 one hits featuring RS09 String Synth, MC09, Jen SX100, Juno 60 – as well as musical gadgets including the Korg Monotron, Chimera BC8 and the brand new Stylophone Gen X-1. The Jen SX100 has been lovingly multi-sampled at one note intervals – mapped across your keyboard for immediate playback in the 300+ Sampler Patches. Get ready to shift your productions into Analogue Overdrive!

SynthLine Vol.14 Waldorf Q

P2P | 25.05.2025 | WAV:265.29 MB | AKAi:275.39MB

Imagine owning some of the most valued vintage synthesizers on the planet. Well, now you can hear them, distilled into their finest essences, squeezed onto a single cd. This collection features a wide diversity of sounds and is suited to any kind of music you might imagine. These are not loops – these are the raw sounds taken from each model, meticulously multisampled and mapped out into 16 bits, 44.1 khz.