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Vir2 Instruments is proud to introduce MOJO: Upright Bass, a premier addition to the MOJO instrument family. We recorded acclaimed jazz bassist Stefan “Pista” Bartus on an exquisite 150-year-old double bass through an analog console to develop the most advanced and lifelike upright bass virtual instrument imaginable. With six dynamic layers, up to eight round-robins, eight articulations, five mic positions, true legato, and an array of superbly designed presets and MIDI grooves, you can take your standup bass performances to new heights. Humanize your sound with speed-dependent articulation switching for note repetitions, beautifully authentic vibrato sustains, simulated vibrato based on real vibrato curves, adjustable string buzz, and an FX suite for full customization.
Welcome to The Basstard, an instrument focused on recording the gradual destruction of a full-scale orchestral bass. The library contains four core categories of sounds: “Tonal”, “Percussive”, “FX” and “Grooves”. The tonal category covers traditional multi-sampled articulations like plucked, staccato, rubber mallet on strings, regular drumstick on strings, fork on strings, and other tools that could be used for tonal sampling. The percussive category contains a variety of heavy round-robin based articulations, playing the instrument like a drum kit (containing 6-10 round robin articulations). The FX category has a gruesome number of effects such as bowing the bass with a baseball bat, using a power drill on the strings, recording sustained notes from it, and actually power-drilling the bass and reconfigureing the instrument, separating its neck from its body and essentially reassembling the instrument in horrible ways. The Groove category contains unique tempo-synched grooves recorded at several core tempos (80, 90, 100, 110, 120, 130, 140). The result is a deep-sampled instrument that pushes the concept of orchestral bass into a more dark, gritty, percussive and disturbing territory.
If you are a producer, composer or beat maker trying to get that very sought after rich fat deep bass latin salsa sound, you are in for a surprise. This is a Virtual instrument that has been long overdue, finally bring to life: Baby Bass Virtual Instrument, based on the sound of the legendary Electric Upright basses like the Ampeg Baby Bass and other top brand baby basses. This sample based virtual instrument contains 15 patches of several types of Baby Bass Sounds, Recorded through Universal Audio pre amps and eq’d by a Neve 1081 Class A Original Racked Channel Strip to get the most punch and guts.
Experience the depth and resonance of the upright bass, sampled from a distinguished 1970s model handcrafted in Mittenwald. A comprehensive library of loops, melodies, and articulations performed by leading session musicians make it simple to infuse the backbone of your tracks with organic charm, whether you’re laying down soulful jazz and blues basslines, pop and hip hop grooves, or even classical motifs.
In skilled hands, the upright bass is an amazingly expressive instrument, capable of adding instant character and class to a musical arrangement. As a follow-up to the original Upright Bass release, Upright Bass 2 is a further product in the Elastik Instrument Series, each of which focuses on a single instrument. As before, it features virtuoso playing, captured in pristine audio quality. However, the performances in this release contrast with the original by delivering generally lower tempos and a deeper, warmer, tone, with plenty of sub-bass content and the perfect amount of room ambience to let the performances breathe.
Upright bass was sampled from the pluckings of a gigging upright bass player. The bass itself was an inherited instrument from the musician’s grandfather. The exact age of the bass is not known, but it had seen some action, and although a little beat-up, still sounded great! To produce this library, the bass was sampled through a close-miced stereo pair of Shure SM81’s, an AKG D112, a Neumann Tlm 102 and a “di” bridge pickup. During mixing, it was decided that the SM81’s blended with the D112 gave the best overall tone. The bass was sampled over the course of a few 10 hour sessions, where the bass player played plucked notes, slap bass, and slides. Boy, did his fingers burn after those slides!