TrackPlug 7 v7.0.6 WiN

Team R2R | 06 November 2024 | 112 MB

PLATFORM: VST2/VST3/AAX(MOD)

..: All-in-One Channel Strip Plug-in :..

Perfect for professionals and audio enthusiasts alike, TrackPlug 7 integrates essential tools, including a gate, compressor, 10-band equalizer, transient shaper, tube saturator, and peak limiter. Most modules provide extensive visual feedback, enabling users to monitor and adjust with precision. TrackPlug 7 simplifies complex audio tasks with its intuitive, user-friendly layout and a powerful toolkit for precise sound control. Among its core features, the gate tool allows users to suppress background noise effectively by adjusting threshold and ratio interactively. The compressor provides optimal dynamic control through flexible sidechain modes and a built-in sidechain equalizer, along with realtime gain reduction visualization that enhance precision during compression.

Goliath 2 v3.3.0 WiN

Team R2R | 06 November 2024 | 15MB

PLATFORMS: WiN64 – AAX, VST3

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

Sooper Time Tube + BBD Delay/Reverb

Team ARCADiA | 26 November 2024 | 505.95 MB

This collection includes effects sampled from three sources. The ‘Time Tube’ unit passes audio through lengths of hose using speakers and pickups, to produce a delay of a few milliseconds, creating a Haas ‘doubling’ effect where the delay isn’t heard as a distinct echo, but instead blends with the dry signal in a way that thickens the sound. Some people love it for vocals. The delay actually comes from the amount of time it takes the sound to travel through the hose. It offers stereo and mono modes, which are different. I’ve sampled both. The other effects were sampled from two home stereo system units: the Pioneer SA60, and the Sansui SA-710. They were both designed to add ambience to the music you play on your system, using bucket brigade delay chips. The SA60 can do a really nice ‘duet’ effect, which is a short delay good for doubling, similar to the ‘Time Tube’ effect.

Tape J-37 v1.0.0 WiN

Team R2R | 19 December 2024 | 310.9MB

..: VST2 | VST3 | AAX :..

Tape J-37 Tube-driven studio effect. Tape J-37 captures the complex architecture and non-linearities of the legendary Studer J37 tape machine in unprecedented detail. Whether adding subtle tape coloration to a master track or driving the input of a bus or insert with harmonic distortion, Tape J-37 is your go-to tool for bringing tube-driven depth and character to your sound. Tape J-37 lets you experience both like never before. With an intuitive design, four easy-access tape modes and advanced controls – give your sound that high-end analog edge.

U47 Vintage Tube Mic Vol.2

P2P | 02 March 2025 | 714.22 KB

We have captured an older Neumann U47 with an unbelievable mojo! Every old Neumann microphone sounds different and this one is simply amazing! These IRs will bring that magic back to your mixes! It makes everything sounds so FAT! 24Bit/96kHz – 24Bit/48kHz -24Bit/ 441kHz Wav Files Check out the demos! (you will hear the same phrases first without then with the U47 IR)

TE-100 v1.1.3 macOS

MORiA | 10 March 2024 | 31.9 MB

The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”

Tube Magnetic Saturator GE

Team ARCADiA | 28 September 2024 | 217 MB

Tube Magnetic Saturator is a homemade hardware piece that I built some years ago. DTE is the first library come from that unit. The last evolution includes a discrete input stage, a vintage magnetic-tape head circuit followed by a modern class A tube preamp with 6 valves working at high voltage: 300V. The magnetic-head is digitally controlled to emulate, in analog domain, different speeds and tape printing, while a discrete solid state preamp drives the signal to saturate it.