RR Collection KONTAKT

P2P | 27.12.2018 | 10.06 GB

Collection of Vintage Analog and Digital Rhythm Boxes and Synthesizers.

Extreme v1.0 VSTi WiN

TEAM ViP | 22.02.2010 | 60.2 MB

Extreme belongs to our range of hybrid synthesizers. Have you been looking for a synth which sounds different? Then look no more. Extreme supplies a range of sounds which are everything else than common. Extreme includes 256 presets, but it uses our soundpack technology so you may add soundpacks. Three optional soundacks are available for Extreme giving you a total of 1024 presets to explore.

Psychic Modulation Phonec v1.4 VSTi WiN

Team R2R | 15 November 2013 | 3.96 MB

Phonec is best described as an ‘analog flux synthesizer’. Inspired by the mystique of video logo synth scores from worn out VHS tapes, Phonec was primarily designed with character in mind. However Phonec is capable of producing a wide range of sounds such as vintage analogue tones, lo-fi synthscapes, ethereal pads, minimal techno sequences, and synthwave leads and basses. Phonec has an intuitive GUI that attempts to strike a balance between form and function, making it a very usable tool that can be a real inspiration to work with. Apart from it’s unique character and smooth workflow, Phonec has several interesting features that set it apart from the crowd.

Ultimate Guide To Synthesizers

HiDERA | 12.04.2020 | 478 MB

ULTIMATE GUIDE TO SYNTHESIZERS. Learn everything you need to know about synthesizers from the ground up, and start using your synth like a Magesy Audio Pro. • Learn to use any synthesizer with ease in The Ultimate Guide to Synthesizers • Understand exactly how synthesizers work, from basic to advanced techniques • 42 lessons that show you everything you need to know to use any synth like a pro • Fully understand ADSR Envelopes, LFOs, Oscillators, Filters, Modulation, and Macros, as well as how to use all of these tools in your synth of choice • Explore popular techniques like wavetable synthesis, frequency modulation, sample-based synthesis, and more

Altron v1.5 KONTAKT

P2P | 23.03.2019 | 28.2 GB

P2P | 28 June 2021 | 345 MB (UPDATE) <—-

When imagination & creativity comes to life, they come with Altron. Altron is a professional sample based synthesizer from a producers & artist’s point of view. Altrons’s sound engine delivers unprecedented realism and highly detailed sounds with massive infusion of musical styles & genres.

In The Key Of A WAV

JKST | 30.03.2020 | 2.95 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

In The Key Of Bb WAV

JKST | 30.03.2020 | 4.5 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.