280 PRE: Vintage Preamp

BUBBiX | 24 April 2025 | WiN:27 MB | MAC:70 MB

..: AAX, VST3, AU :..

Unlock the Raw, Untamed Tone of a Legendary Vintage Preamp.

Need Preamp & EQ Collection

Team R2R/RLTS | 23 January 2025 | WiN: 69.2MB | MAC: 596.6MB

..:: AAX*, AU, VST3, x86, x64 ::..

The British-style console preamp and eq units have been the most sought-after equipment since the first days they came out. Queen, Nirvana, Red Hot Chilli Peppers, David Bowie, Foo Fighters, Slipknot, Metallica, Adele, Drake …etc as just a few examples. They’ve been used on countless classic top platinum-selling albums and are also still widely used, which confirms these legendary modules’ status much-wanted classic units that every mixing/mastering environment needs. NEED Preamp and Eq Collection include 7 Outstanding British-style preamp/eq plugins! All of them are extremely accurate end-to-end circuit emulations that retain each small detail and true vintage tone of this phenomenal studio equipment. NEED Preamp and Eq Collection is a Real Gem!

V-Rack v1.1.0 WiN

Team R2R | 08 November 2024 | 55.7 MB

Elevate your music to new levels with the soul of rhodes

Crafted with meticulous attention to detail, the V-Rack draws inspiration directly from the ground-breaking Rhodes MK8 Analogue Preamp and FX circuit, known for its sonically vast and soulful sound. For the first time in the world of music production, these iconic, innovative effects are now available in software rack format, providing keyboard players, guitarists, vocalists, beatmakers, and producers of all genres access to this legendary heritage. Rhodes, a name deeply rooted in Soul, Rock, Funk, Hip-Hop, Electronica and Jazz – and cherished by renowned artists, including Herbie Hancock, Chick Corea and Stevie Wonder, has shaped the landscape of music for decades. Now, Rhodes is bringing its unique sonic prowess to the heart of your studio and stage, infusing your productions and performances with unmistakable warmth and character.

IronHeart v1.3.0 WiN

Team TCD | 17 August 2024 | 77.7MB

PLATFORM: STANDALONE/VST3/AAX(MOD)

For the first time in the history of Laney we are proud to announce an exciting partnership. In a world dominated by digital uptake you can now get all the amazing Black Country Customs IRONHEART tube tones in your digital universe.

IronHeart v1.1.0 MAC

MORiA | 26 July 2024 | 645.8MB

PLATFORM: AU/STANDALONE/VST3/AAX(MOD)

For the first time in the history of Laney we are proud to announce an exciting partnership. In a world dominated by digital uptake you can now get all the amazing Black Country Customs IRONHEART tube tones in your digital universe.

PSA1000 Bundle v1.3.0 WiN

Team R2R | 10 June 2024 | 12.6 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

The PSA1000 Analog Saturation Unit plugin is a modern recreation of a ’90s classic analog guitar preamp which is used in recording studios all around the world! It is used and “abused” for recording and characterizing not only guitars but also electric pianos, organs, synthesizers, electric basses and many other instruments. The original unit has found its place even in the mix stage for processing all type of sounds, as drum rooms, percussions, vocals, kicks, snares and sound fx too!

Echomixer v1.2.2 WiN

Team R2R | 08 June 2024 | 51.1 MB

Echomixer device, which housed three germanium preamps and a Hammond IV spring reverb. Modelled on a modified example of an original unit from 1960, the emulation brings the classic sound into modern production environments. The GUI replicates the layout of the original hardware unit, with the top section occupied by input and output level controls and three vertical faders that control the level of each preamp channel (labelled A, B and C). Channel A is a clean version of the preamp, whilst B provides a modelled version of the original preamp circuitry, and C offers a more obviously saturated option — the signal flows in series from left to right, and each channel can be independently engaged or bypassed. A pair of horizontal faders follow, with the first setting the balance between wet and dry signals, and the second acting as a ‘character’ control and offering a variable amount of modelled germanium distortion.