• dpMeterXT3 v3.0.10 Regged WiN MAC-R2R
    June 3rd, 2022 ⚡
    Categories:

    dpMeterXT3 v3.0.10 Regged WiN MAC-R2R

    dpMeterXT3 v3.0.10 WiN MAC

    Team R2R | 2022.04.06 | 11.57 MB

    PLATFORM: AU/VST/VST3/AAX/x86/x64

    dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128-2014, ITU-R BS.1770-4, ATSC A/85 and several other regionspecific loudness standards. dpMeterXT supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities. dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128-2014, ITU-R BS.1770-4, ATSC A/85 and several other regionspecific loudness standards. dpMeterXT supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities.EBUR128 It features large readouts, meters, graphs, loudness/peak prediction, measurement history and datalogging. With dpMeterXT, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).


    Viewed 9163 By Music Producers & DJ´s.


  • FinalLoud 3 v3.0.16 WiN MAC-R2R
    June 3rd, 2022 ⚡
    Categories:

    FinalLoud 3 v3.0.16 WiN MAC-R2R

    FinalLoud v3.0.16 WiN

    Team R2R | 2022.04.06 | 11.59 MB

    PLATFORM: AU/VST/VST3/AAX/x86/x64

    FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.


    Viewed 12783 By Music Producers & DJ´s.


  • 2BC multiCORR v2.2.4 WiN-R2R
    December 6th, 2021 ⚡
    Categories:

    2BC multiCORR v2.2.4 WiN-R2R

    2BC multiCORR v2.2.4 WiN

    Team R2R | 06 Dec 2021 | 6.0MB

    PLATFORM: WiN64 – EXE/VST/VST3/AAX(MODiFiED)

    Why do you need a multiband correlation meter? Broadband meters don’t always show you potential trouble areas. Multiband approach warns you not to overdo stereo spread, or when your stereo room mics are delivering too much out–of–phase content. Either way, you’d get cancellation when your mix is summed to mono. Correlation measures the degree of relatedness between left and right channel. If both channels are alike, that’s mono, and they will have perfect correlation. When content is present in one channel, and an inverted phase version is in the other channel, that sums to zero in mono and the audio disappears. If your material is destined for LP distribution, keep in mind that lacquer cutting has difficulty with large amplitude, out–of–phase information at very low frequencies. 2BC multiCORR provides four bands of analysis for the critical bottom octave, six additional bands of metering covering frequencies up to 200 Hz, plus three additional band for the 200 to 400 Hz range.


    Viewed 6703 By Music Producers & DJ´s.


  • Music Theory: Meter And Rhythm TUTORiAL
    September 18th, 2021 ⚡
    Categories:

    Music Theory: Meter And Rhythm TUTORiAL

    Music Theory: Meter & Rhythm

    FANTASTiC | 14 August 2021 | 127 MB

    A Universal Explanation for Musicians, Producers and Composers.

    In this class I want to show you how meter and rhythm in music emerge from our cognitive processing of sounds. Because this holds for all humans, this explanation of meter and rhythm is as universal as you can get. It is also based on psychological experiments that have been carried out over the last decades. Knowing the cognitive processing of sounds is of great usefulness when you are making music because it let’s more consciously predict how your music will be heard by the listener, what effect it will have in the temporal realm.


    Viewed 4596 By Music Producers & DJ´s.


  • dpMeterXT2 v2.0.1 WiN-R2R
    September 13th, 2021 ⚡
    Categories:

    dpMeterXT2 v2.0.1 WiN

    TEAM R2R | 20.02.2020 | 5.27 MB

    PLATFORM: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED)

    dpMeterXT2 is a loudness metering plugin and application fully compliant with the EBU R128-2014, ITU-R BS.1770-4, ATSC A/85 and several other regionspecific loudness standards. dpMeterXT2 is the sucessor of dpMeterXT. dpMeterXT2 supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities.EBUR128 It features large readouts, meters, graphs, loudness/peak prediction, measurement history and datalogging. With dpMeterXT2, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).


    Viewed 10136 By Music Producers & DJ´s.


  • VUMT deluxe v2.4.0 AU AAX VST STANDALONE x86 x64 WiN MAC

    VUMT deluxe v2.1.1 WiN MAC

    P2P | 10 December 2020 | 28.07 MB

    .: AU, AAX, VST, STANDALONE, x86, x64 :.

    VU, RMS and PPM DIN (Type I) /BBC, DIN, Nordic

    In addition to all the features of the standard version VUMT deluxe offers more metering types (BBC, DIN, Nordic) plus various channel tools, such as Mute and Polarity reverse buttons, a monitor section and the following signal processing tools: HighPass and LowPass Filters, a single band dynamic EQ with various filter types, useful to remove resonances or for de-essing and a mono maker to narrow the stereo image below a certain frequency. On top of that, each skin VUMT deluxe offers an additional contrasting GUI for the VU itself.


    Viewed 7550 By Music Producers & DJ´s.


  • K-Meter v1.3.5 VST x86 WiN-ASSiGN
    June 9th, 2021 ⚡
    Categories:

    K-Meter v1.3.5 VST x86 WiN-ASSiGN

    K-Meter v1.3.5 VST x86 WiN

    TEAM ASSiGN | 21 JUNE 2011 | 8.18 MB

    The K-System has three scales: K-12, K-14 and K-20. You choose which scale to use based on genre and delivery format. K-12 is for broadcast and radio. K-14 is for mainstream pop, rock and country. K-20 is for film, classical and high-fidelity recordings. From K-12 to K-20, the scales provide an increasing amount of dynamic range.


    Viewed 10552 By Music Producers & DJ´s.


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