Beat Issue 234 July 2025

P2P | 22 June 2025 | PDF | 92.8 MB

..: (English and German Edition) :..

Create Stories, Not Just Songs! 18 Tutorials on Arrangement, Dynamics & Articulation Imagine yourself conducting an entire orchestra, the symphony of your dreams in your hands. What if you could unleash this power not just in a concert hall, but right at your desk? Welcome to the fascinating world of sample and orchestral libraries, where the boundaries between digital production and acoustic reality blur. Our masterclass is your key to unlocking these soundscapes, allowing you to create everything from epic film scores to much more emotional tracks. The key to more soul in your songs! For More Feeling in Your Tracks: 25 Realistic Instruments Reviewed When it comes to bringing realistic orchestral arrangements to life directly in your DAW, there are basically two approaches to choose from: phrase-based libraries or melodically playable multi-sample instruments.

Electronic Sound Issue 115

English | 100 pages | PDF | 62.1 MB

This month’s Electronic Sound cover stars are the effortlessly sublime Air, who are currently on an extensive world tour to promote the deluxe edition of their landmark 1998 album ‘Moon Safari’. Performing inside a huge glass box that looks like something out of Stanley Kubrick’s ‘2001: A Space Odyssey’, Jean-Benoît Dunckel and Nicolas Godin are playing the album live and in full for the first time – and the result is a major triumph. The French duo speak about the gorgeously languid and exquisitely produced ‘Moon Safari’ in our cover feature, as we assess the influence of a record that hit double platinum sales in the UK and remains an electronic masterpiece to this day. With big bells on.

Electronic Sound 114 June 2024

English | 100 pages | PDF | 62.5 MB

We’re investigating the visual art of John Foxx in this month’s Electronic Sound. While he is best known as the frontman of Ultravox and a revered solo musician in his own right, Foxx is also a highly distinctive visual artist. He has worked in photography, collage, graphic art and other media since the mid-1970s, and his extraordinary portfolio is detailed in a forthcoming book called ‘Electricity And Ghosts’. We’ve invited him to talk about some of his favourite pieces from the book, and the result is a fascinating glimpse into his artistic approach and the aesthetic principles he applies to both his imagery and his records. You could describe it as a sort of synthesis of John Foxx. We have a bumper selection of other great interviews elsewhere in this issue too, including Jeff Mills, John Grant, Suzanne Ciani, Orbital, Wolfgang Tillmans, Low End Activist, Keeley Forsyth and Chanel Beads. We also have a splendid new regular column called “The Best Of…”, which we think you’re going to really love. Our first volunteer is μ-Ziq man and Planet Mu label boss Mike Paradinas, who speaks about peaches, thigh-high socks and geek pies. As you do.

Electronic Sound 126

English | 100 pages | PDF | 43 MB

Ahead of their final studio album coming out in September, we’re saying a fond farewell to SAINT ETIENNE with this month’s Electronic Sound cover story and an exclusive blue vinyl seven-inch from the group. One side is a sparkling new offering and other is the track that launched the band way back in 1990. It’s incredible to think that it’s 35 years since Saint Etienne released their groovy version of Neil Young’s ‘Only Love Can Break Your Heart’ as their debut single. Their forthcoming album, the wonderfully upbeat ‘International’, will be their 14th studio set but also their last – as Sarah Cracknell, Bob Stanley and Pete Wiggs explain in our extensive and hugely entertaining interview. It will conclude a recording career that’s been both tirelessly eclectic and deeply indebted to their love of classic pop music. And with the list of guests on the new album including Vince Clarke and Nick Heyward, as well as radio and television presenters Katie Puckrik and Colin Murray, it’s a splendid way for the trio to bow out.

Electronic Sound 124 PDF

English | 100 pages | PDF | 47 MB

Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world.

Beat Issue 227 December 2024

PDF | 13.11.2024 | ENG:59.56 MB | GER:22.92 MB

(English and German Edition)

55 Synth Plugins reviewed – Which ones do you really need? Synths are simply indispensable! With the flood of new releases, however, it can be difficult to keep track and find the perfect plug-in for your sound. But don‘t worry, we‘ll do the work for you! On 22 pages, we evaluate the latest instruments, show them in use case workshops and provide audio demos so that you know exactly which synth is right for you. Of course, there are evergreens and freeware gems that no setup should be without. And as a bonus, there are over 10,000 presets to download so you can get started right away!

Electronic Sound 119

English | 100 pages | PDF | 43 MB

This is something special. With an exciting new boxset in the shops any day now, the latest Electronic Sound cover stars are the magnificent Throbbing Gristle and we’re bundling the issue with a limited edition red vinyl seven-inch featuring two previously unreleased TG tracks, including one of the last two recordings the industrial pioneers ever made. We’re looking back over the story of Throbbing Gristle this issue, interviewing the surviving members of the band and others associated with TG. Genesis P-Orridge, Cosey Fanni Tutti, Chris Carter and Peter “Sleazy” Christopherson ripped up all the rules, both sonically and visually, both as a live act and a recording unit. They are widely recognised as the prime movers of industrial music, but their influence and impact stretches way beyond any particular genre. Their early gigs attracted everybody from acid-fried hippies and spotty anarcho-punks to oddball alt-funkateers and hot-wired electronics freaks. There has never been another group even remotely like Throbbing Gristle.