• Waldorf MicrowaveXT INTERNAL AKAi-PHOTONE

    Waldorf MicrowaveXT INTERNAL AKAi

    PHOTONE | 29 August 2016 | 530.06 MB

    The Microwave XT is a great big orange polyphonic rackmount synthesizer. While combining the power of the Wave and the compact design of Waldorf’s Microwave II, the XT adds a bit of knob-laden heaven. At first glance the top section completely resembles the 2-space rackmount version of the Microwave II. And then there are three more rack-spaces full of knobs and lots of knobs means lots of control. As far as enhancements, the XT model has 20-bit DSP functions but that’s about it. Its true power and features lie in the 44 hands-on knobs which make editing in real-time quick, easy and perfect for performance and studio work. All of the knobs transmit MIDI information as well!


    Viewed 22759 By Music Producers & DJ´s.


  • Crispytuner v1.1.0 WiN iNTERNAL-BUBBiX
    May 21st, 2024 ⚡
    Categories:

    Crispytuner v1.1.0 AAX VST2 VST3 x64 WiN iNTERNAL-BUBBiX-MaGeSY

    Crispytuner v1.1.0 WiN

    BUBBiX | 21 May 2024 | 37 MB

    Vocal Tuning Simplified

    crispytuner is probably the easiest-to-use vocal tuner available. But underneath its simple exterior are a whole range of capabilities for additional fine tuning. From subtle pitch correction to flamboyant tuning effects, crispytuner does everything you need it to with minimal effort.


    Viewed 15794 By Music Producers & DJ´s.


  • E-MU Proteus 1 XR AKAi INTERNAL-PHOTONE
    August 23rd, 2023 ⚡
    Categories:

    E-MU Proteus 1 XR AKAi INTERNAL-PHOTONE

    E-MU Proteus 1 XR AKAi

    PHOTONE | 19th July 2016 | 572.25 MB

    When I first heard the Proteus/1 I was blown away by its internal demo song. The strings sounded so real to me, one could hear the rosin on the bow and the friction of it on the strings of the violins. One of the peculiar things about the Proteus is the fact that many patches seem to emulate Roland D-50 patches, but not Korg M1 patches.. Both instruments were the instruments “to beat” at the time. I wonder why the programmers only focused on the D-50 and didn’t give the M1 sounds a shot.


    Viewed 16406 By Music Producers & DJ´s.


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