Alchemist v3.3.6.35839 AU VST AAX 32 bits MAC OSX

OPENSSH | May 24 2015 | 102 MB

Be it a serious problem with the dynamics in a mix, a delicate mastering assignment, or a situation with complicated dynamics, Alchemist provides everything you need in order to accomplish. Designed with professional mastering and re-mastering applications in mind, the intricate design, superior workflow, and sound perfection, makes Alchemist tailored for the high demands of today’s music and pro-audio industry,

Plug And Mix Pro Series v1.0.0 WiN MAC

TEAM R2R | 2015.05.22 | WiN: 29.07 MB | MAC: 63.01 MB

The Ultimate Precision ‘Pro Series’ Pack includes 3 professional plug-ins that are part of a new collection called “Pro Series” Plug-ins. The “Pro Series” plug-ins have been designed to reflect the need and requests of P&M’s most demanding professional customers that use the ‘V.I.P. Series’ plug-ins in their daily tasks. The “Pro Series” collection includes “E-Max” a transparent linear phase equaliser, “OptoMax” a powerful opto compressor and “Tube Exciter” a subtil tube exciter and sub bass enhancer.

Pi v1.0.11 AU VST AAX RTAS MAC OSX

TEAM HEXWARS | 15.05.2015 | 10.3 MB

VST/AU/AAX/RTAS

Pi is an innovative, multi-channel phase interactions mixer plug-in engine for Mac and PC. Pi works to improve the summing of a DAW or a mixer. Pi dynamically minimizes frequency cancellations between instruments within the mix, improves mono compatibility and brings back the lost depth and focus lost when overlapping frequencies collide. Good phase relationships between mixer tracks, are a key to great sounding mix. Normally, where mixer channels are summed into a single stereo mix bus, instruments overlap and interact with each-other across the frequency range and phase position. Often, a bass track could be temporarily out-of-phase with the kick or rhythm guitar tracks, and when summed into a mix, end up cancelling each-other over the overlapping frequency range, causing a temporary “hole” in the low end. Similarly, a snare track could end up sounding thin in a mix when the toms resonance are out of phase with the snare.

Sforzando v1.822 WiN MAC

TEAM R2R | 2015.05.08 | WiN: 12.95 MB | MAC: 10.28 MB

AU/STANDALONE/VST/VST3/AAX

sforzando is a free, highly SFZ 2.0 compliant sample player. Advanced sample hobbyists now have a powerful tool to experiment and share instruments without relying on proprietary formats. sforzando has only one instrument slot; no fancy UI, effects or mixers. Every tweak has to be done at the SFZ file level, no cheating! sforzando is also a name given for a sudden change in music dynamics which, in musical notation, is represented by the “sfz” symbol. Free As In Free Me From Proprietary Formats The SFZ Format is widely accepted as the open standard to define the behavior of a musical instrument from a bare set of sound recordings. Being a royalty-free format, any developer can create, use and distribute SFZ files and players for either free or commercial purposes. So when looking for flexibility and portability, SFZ is the obvious choice. That’s why it’s the default instrument file format used in the ARIA Engine.

Chipcrusher v1.822 AAX AU VST RTAS WiN MAC

TEAM R2R 2015.05.08 | WiN: 23.47 MB | MAC: 21.36 MB

Chipcrusher is an advanced bitcrusher, a speaker simulator and noise machine. It’s an audio effect which plays back input audio through a simulation of early lofi digital audio codecs (DAC Encoding), adds grit (Background Noise), and outputs through a selection of speaker and filter impulse responses (Post-Processing).

AGP2 v2.0.2 AAX VSTi RTAS WiN

TEAM R2R | 2015.05.07 | 2.25 GB

AGP (Ample Guitar P) is recorded using PRS Artist Custom 24 Guitar, with 5300 samples, 3.76GB, 24 frets, Neck and Neck+Bridge 2 pick-up instrument groups. Every guitar note with real samples — no re-sample. Natural sustain, the longest sample is 28s — no sample loop.

AGF2 v2.0.2 AAX VSTi RTAS WiN

TEAM R2R | 2015.05.07 | 2.58 GB

AGF (Ample Guitar F) is recorded using Fender Stratocaster Custom 50’s Guitar, with 5000 samples, 3.89GB, 22 frets, Neck and Neck+Middle 2 pick-up instrument groups. Every guitar note with real samples — no re-sample. Natural sustain, the longest sample is 28s — no sample loop.