Aaltoverb 2 v2.0.3 WiN MAC

Team R2R | 24 December 2024 | 2.13 MB

Aaltoverb is a reverberator designed with a focus on completely smooth tweakability. Any of its controls including the reverb size can be adjusted without making clicks. This feature can bring fresh sounds to a mix, and particularly shines in a live performance setup. Our new popup UI in version 2.0 gives you access to MIDI learn and to an individual, syncable LFO for each main parameter.

Kaivo v1.9.x WiN MAC

Team R2R | 24 December 2024 | WiN: 79.4MB | MAC: 110.3MB

Kaivo is a semi-modular software synthesizer that combines two powerful ways of making sound: granular synthesis and physical modeling. Kaivo brings some of the latest academic research in physical modeling to a patchable package for the first time. Mathematically speaking, its finite difference time domain (FDTD) models let the player reach inside the instrument and affect the internal vibrations at any point. This allows for a fine degree of realistic detail, like the bridge rattles on a “gut string” model, for example. And while Kaivo is capable of making very realistic sounds, it is also designed to apply this subtlety to abstract creations.

P44 Magnum v1.1.1 WiN

Team R2R | 25 June 2025 | 12.7 MB

PLATFORM: VST3/AAX

From the designer of P42 Climax comes P44 Magnum carrying the signature saturation of P42 but with new designed circuits; meet Oomph, Poomph and Sweet! Add to all this, a clipper that will send most clippers into early retirement.

P11 Abyss v2.2.2 WiN

Team R2R | 25 June 2025 | 19.1MB

P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.

P422 Fairuz v1.6.4 WiN

Team R2R | 25 June 2025 | 15.5 MB

Though it has gone by many names, turquoise get its current name from French pierre tourques, or “Turkish Stone.” This phrase refers to the Turkish traders who introduced the gem to Europe via the Silk Road in the 13th century. Ancient Persians believed that turquoise could prevent them from harm and covered their daggers and bridles with it. They referred to turquoise as pirouzeh, which translates to “victory.” The Native Americans Apaches wore turquoise as talismans and believed that attaching it to weapons and bows made for better aim. Aztec chiefs wore turquoise jewelry as a mark of authority. P422 Fairuz will bring out the natural resonance and richness of the instrument you are EQ-ing. Even at extreme boosts or cuts, the integrity of the sound is maintained.

P440 Sweet Spot WiN

TEAM R2R | 25 June 2025 | 18.8 MB

PLATFORM: VST3/AAX/x64

P440 Sweet Spot You have very likely heard words similar to the following uttered many times about mastering: “it makes the music come to life” or “it is the final polish that transitions into something breathtaking” or “It is like… magic!”. The wizardry lies in the hands of the practitioner of course, but surely, as all wizards wield an unassuming yet infinitely powerful device that is a conduit between their mystical knowledge and the physical world, so does the mastering engineer. To the wizard, it is the magic wand and to the mastering engineer, it is the equalizer.

Scanner Vibrato v1.4.3 WiN

Team R2R | 25 June 2025 | 12 MB

Scanner Vibrato is a virtual effect plug-in that aims to recreate the scanner-vibrato effect from a well-known tonewheel organ. The original scanner-vibrato was developed in the 1940s, and was an analog, electromechanical device, consisting of an analog delay line and a mechanical rotor (“scanner”). The rotor was driven by the organ’s internal motor, and therefore its rate was fixed at about 6.9 Hz. The original scanner-vibrato could produce both chorus and vibrato effects, and it offered three depth presets. Read more about the history of the Scanner Vibrato.