Nimbus v1.0.0 WiN

Team AudioUTOPiA | Oct 29 2016 | 67.5 MB

..:: AAX*, VST2, VST3, x86, x64 ::..

The Powerful Reverb Unit

Meet NIMBUS, a new and improved reverb unit based on the familiar PhoenixVerb but offering better sound, greater flexibility and new capabilities: Better sounding: NIMBUS is based on the core of the hugely popular PhoenixVerb, but we’ve combined honest user feedback with a fertile creative imagination to make it sound even better. No CPU hog: NIMBUS is a native plug-in, requiring no special hardware and offering even more flexibility while continuing to work with its now-famous minimal load on your computer. Easy to use: We know that workflow matters to our users. While NIMBUS is brand new, existing users will find it reassuringly familiar, and new users will find their way around in a matter of minutes. Over 1200 presets and handy new tool-tips: NIMBUS has everything under control to get you started.

Kaya v1.0.4 VST2 WiN

Team AudioUTOPiA | March 13 2016 | 42 MB

..:: AAX*, VST2, x86, x64 ::..

There’s only one Kaya… literally. S. Husky Hoskulds made it by taking an old Ampex tube tape deck and hardwiring the preamp directly to the tape head. He calls his unit ‘Pa’, a minimal box with swampy distortion and a very heavy bottom. I started with Pa’s dirt, then added controls to make it more flexible. An assymetric Treble control can rebalance the sound towards the top, or tilt it down into murky darkness. An Abuse knob does exactly what you’d expect it to do. Blend allows you to tuck in the overall effect for subtler applications. What I love about Kaya is it never harshes out, it’s always warm even when it’s gone nuclear. A one-trick pony, but what a trick it is.

Deflector v1.0.2 WiN

Team AudioUTOPiA | March 13 2016 | 33.3 MB

..:: AAX*, VST, x86, x64 ::..

There seem to be two types of mix engineers: those who own a pair of the original units this plug is inspired by, and those who want to. I can’t give you the original, but I can give you my twisted take on it. For starters, I tweaked the distortions to make them fuzzier, because I have a fondness for dirt & grime. I added a 250Hz sidechain HPF option which leaves all bass frequencies uncompressed, as well as a 6kHz sidechain ‘push’ to smooth out harsh, aggressive stuff. Most compressors press sounds back, this one pushes them forward. The original is in every million dollar studio, now my version can be in yours

AE600 Active EQ v6.3.0.9 WiN

Team AudioUTOPiA | Dec 24 2016 | 48 MB

AAX VST2 VST3 x86 x64

The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production. Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.

Virtual Tape Machines v1.1.11.1 WiN

TEAM AudioUTOPiA | 29.09.2016 | 97.8 MB

AAX* / VST2 / VST3 / x86 / x64

Digital recording is now the standard for professional music production. But many engineers and musicians long for the days of analog recording, and for good reason. Analog Tape Machines have a SOUND. Big, fat, warm, deep, rich and exciting are just some of the terms used to describe what recording onto a piece of magnetic tape sounds like. To those that know, tape is simply more musical.

Revoice Pro v3.1.1.3 VST x64 WiN

Team AudioUTOPiA | 19 Dec 2015 | 85.7 MB

RevoicePro is a purpose-built, stand-alone program which includes two unique, automatic editing processes, manual time/pitch Warp processes, and tight integration with DAWs. Revoice Pro’s unique APT (Audio Performance Transfer) process can automatically and instantly transfer the timing, pitch, intonation or loudness features from one signal to one or more target signals. This is perfect for matching the timing and tuning of double tracks or syncing ADR – and because you control the tightness, you keep it sounding natural. APT is powered by an advanced version of?VocALign. If double tracks haven’t been recorded, Revoice Pro’s Doubler process creates incredibly natural-sounding ones. What’s more, Warp Processing with an improved graphic interface provides fast, manual manipulation of audio timing and pitch with stunningly transparent audio quality. Automatic grid-based pitch correction is also available. Integration with most DAWs is fast and easy, using simple?Revoice?Pro Link plug-ins or familiar drag-and-drop or copy-and-paste operations.

StereoDelta v1.1 VST WiN

Team AudioUTOPiA | 29 Oct 2016 | 45.3 MB

StereoDelta spatial processor plug-in – The magic happens inside. StereoDelta is an easy to use spatial processor, available as AAX/AU/VST/VST3 plug-in, with one powerful knob to control your stereo image. From true mono to three dimensional width, StereoDelta always maintains a natural sound thanks to DrMS technology inside.