Zener-Bender v2.5.9 WiN

Team R2R | 2021.01.03 | 20.72 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

A powerful and musical modern plug-in channel strip with the unique vintage sound of Chandler Limited®, the Zener-Bender combines the crisp and colorful character of the Curve Bender Mastering Equalizer with the big, punchy Zener Limiter to bring class, history, and most crucially of all, a phenomenal sonic impact. Component-modeled with Softube’s customary care and experience, these units together can take charge of any mix.

ME 1B v2.5.9 WiN

Team R2R | 05 Jan 2021 | 11.5MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

The real battle for getting a clear and vibrant mix is often fought in the midrange frequencies. The Tube-Tech ME 1B is a tube-driven passive equalizer that addresses the midrange—and only the midrange. So gear up, soldier and go, go, go! The ME 1B is Tube-Tech’s unique take on the classic Pultec MEQ-5 midrange equalizer. There’s a lot of mojo going on in the Pultec designs, but the biggest mojo of it is that it is so well-designed that almost whatever setting you use, it will sound good. Just like the Tube-Tech PE 1C “Pultec” Equalizer, the Tube-Tech ME 1B is a passive, tube-based equalizer. It was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it’s a great tool to shape the midrange of any audio material, and together with the PE 1C it becomes a versatile and full featured equalizer.

PE 1C v2.5.9 WiN

Team R2R | 05 Jan 2021 | 13.7MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

The user interface of the ME 1B is pretty straightforward. You have three different sections, the Low Frequency Peak, Mid Frequency Dip and the High Frequency Peak. The only confusing thing is that the mid section never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C ‘Pultec’ Equalizer you’ll find that these equalizers complement each other perfectly.

Dyna-Mite v2.5.9 WiN

Team R2R | 05 Jan 2021 | 26 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Light the fuse.

In the 1800s, a Swede named Alfred Nobel invented dynamite. In the 1980s, an American named Paul Buff created Dyna-mite. Could the two have ever imagined that, someday, worlds would collide and produce the most perfectly unruly processor plug-in known to man? Dyna-mite is a powder keg of character. And what did we do when we got it in Swedish lab? Throw more fuel on the fire, of course. Not only is it more versatile and easier to use than ever, but now it’s bigger. We added two highly-concentrated plug-ins, based on the Dyna-mite sound. Hit the deck—it’s Dyna-mite Original, Slam, and Gate!

Classic Channel Mk II v2.5.9 WiN

Team R2R | 2021.01.05 | 20.02 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

This Mk II version of our beloved Tube-Tech Classic Channel benefits from all the sonic improvements to its component parts – a ground-up remodel of the CL 1B, and revamped EQs using our very latest signal processing technology.

Tilt v2.5.9 WiN

Team R2R | 05 Jan 2021 | 12 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

A filter on steroids.

Go from shimmering bright to warm and wide with a twist of a knob! The Tilt plug-in is a fast and easy way of making a track sit better in a mix or make it sound ‘warmer’ or ‘cooler’. It’s also perfect in a live situation where you need to tweak the whole mix to adjust for ear fatigue.

Tube Delay v2.5.9 WiN

Team R2R | 2021.01.05 | 9.84 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

A slightly dark and distorted delay has a way of giving a great sense of space and size to a mix without really drawing attention to itself. Tube Delay is a vintagey analog style echo box that allows you to create everything from clean doubling effects to endless dub delays with filthy feedback.