Arturia Jupiter-8V AU VSTi RTAS v2.5.2 WiN MAC

Team: AiR | Date: 04/2010 | Size: 73,37 MB

Back to the early 80’s, the Prophet 5 and Oberheim OB series dominated the polyphonic synthesizer market. Having that in mind the Jupiter-8’s success, initiated in 1981, took every one by storm. But what made the Jupiter-8 so successful? Well, in terms of sonic possibilities, it complemented its competition by bringing something different. The Jupiter-8 was capable of creating very versatile sounds. You could easily make ‘fat’ or ‘Crystal’ sounds with it. In fact, the Jupiter-8 sounded the way it looked, ‘sleek and polished’. The electro-pop community became quickly convinced by the qualities of the Jupiter-8.’Relax’, by Frankie Goes to Hollywood was produced incorporating a Jupiter 8, and players such as Vince Clarke, John Foxx, and Martyn Ware were also using it. The path to classic status of the Jupiter started there. Other artists that have used The Jupiter-8 include Tangerine Dream, Underworld, Jean Michel Jarre, Depeche Mode, Prince, Gary Wright, Adrian Lee, Heaven 17, Kitaro, Elvis Costello, Tears for Fears, Huey Lewis and the News, Journey, Devo,Freddy Fresh, Simple Minds, Jan Hammer and BT.

Audio Damage Replicant VST AU UB PC MAC

Team AiR-DYNAMiCS | 2007 | PC: 1.30 | MAC: 3.11 MB

Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.

Audio Damage Liquid VST AU UB 1.0.1 MAC

Team PDS | 2010 | MAC OSX | AU UB  | 4.67 MB

Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.

Audio Damage Kombinat v1.0.1 AU VST PC MAC

Team DYNAMiCS | 09/17/2008 | PC: 2.06 MB | MAC: 3.98 MB

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat is a complete toolbox of sonic warfare. This plugin is, in our opinion, the single most annihilating effect available today. With seven different options in each of the three distortion engines (plus pass-through), Kombinat is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild saturation to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps in series? This is your box.

Audio Damage BigSeq2 VS

Gora | MAC ONLY SKiN | by Desings Massive | 6 MB

Harlequin PreAMP AU VST x86 x64 PC MAC

Mercuriall | FREE | PC | MAC | 16.1 MB

Mercuriall has released Mercuriall Harlequin, a free virtual guitar amp for Windows which emulates the Corford Harlequin MKI amplifier.

Mercuriall Harlequin Preamp based on The Harlequin MK1 that started the Cornford story.

Mercuriall Harlequin is available for free download via Mercuriall Speaker and Amp Simulation (6.4 MB dowload size, 32-bit & 64-bit VST plugin format for Windows).

Audio Damage Automaton VST AU UB WiN MAC

Team DYNAMiCS | 09/17/2008 | WiN:722.54 KB | MAC:2.26 MB

Automaton is a unique look at buffer effects, allowing you to experiment with artificial life within your DAW. With four separate effects (Stutter, Modulate, Bitcrush, and Replicate) driven by a cellular automata sequencer, Automaton is capable of adding subtle seemingly random fills and “humanizing” effects, but if you like, you can crank the sequencer up to eleven, and watch as your DAW becomes a petri dish while Automaton makes complete hay of the track you’ve inserted it to.