Phazeform Vol.1 for KONTAKT LOGiC LiVE

Team DYNAMiCS | 08 07 2009 | 286.23 MB+430.71 MB+291 MB

The mothership of Casio synthesis, the CZ-1 was a remarkable piece of technology in its day, emulated by other leading synthesizer manufacturers. Casio’s CZ line of Phase Distortion synthesizers are incredibly unique devices that used digital synthesis without a filter as opposed to traditional analog subtractive synthesis with a filter. The CZ line used phase distortion to somewhat simulate an analog filter, it had in total eight different waveforms: as well as the standard sawtooth, square, and pulse waveforms, it had a special double sine waveform, a half-sine waveform, and three waveforms with simulated filter resonance: resonant sawtooth, triangle, and trapezoidal waveforms.

MicroTron: Tape 3 For LiVE KONTAKT LOGiC

Team AudioP2P | 04-30-2010 | 121.05 MB+216.42 MB+279.70 MB

Tape 3 of the Microtron series brings another unique set of classic Mellotron patches to your sampler! It includes Clarinet, French Horn & Glenn Miller sounds.

MiCROPAK Big Bertha MULTiFORMAT

Team AMPLiFYiSO | 08.23.2008 | 817.52 MB

FORMATS: KONTAKT/Ableton Live/LOGiC

Big, Big Bass! Big Bertha is a custom built 6-string Maillet electric bass with a classic, deep and funky tone. Recorded through both a Jensen transformer and an original tube buffered AMB DI, Big Bertha comes to life in this high quality collection of 24-bit samples and looped clips. Get Yer Funk On! Big Bertha includes detailed multilayered velocity sampling of every note across 3 octaves and a library of over 60 looped clips played in various styles and tempos. The loop library includes funk, rock, RnB, fusion and many other stylings.

Infinite Spaces KONTAKT LOGiC LiVE 9

Team DECiBEL | 15 Feb 2016 | Live 9: 575.0 MB

Logic: 572.1 MB | KONTAKT: 571.3 MB

An odyssey in space and sound. Built with responses generated from legendary space simulation equipment. Beautiful crystal spheres, metallic resonating worlds, shimmering subterranean civilizations? Infinite Spaces is an adventure in stereo and an odyssey in sonic textures. It is a sound design toolbox for film scoring, atmosphere creation, suspense building or anything else that requires a treatment of richly detailed spaces. Sound designers triggered an Eventide H3500, Lexicon PCM 90, Lexicon PCM 80 and a Kyma Sound Design Computer with white and pink noise impulses, creating feedback loops and huge, reverberating sonic spheres. The results were recorded, phase tweaked and programmed for Ableton Live.

Retroputer for Ableton Live

Team DECiBEL | 15 Feb 2016 | Live 8: 35.0MB | Live 9: 53.7MB

Heavily influenced by Elektron?s Monomachine, Retroputer comes packed with crunchy digital waveforms, all categorized into 10 individual machines.

PM-200 KONTAKT LOGiC LiVE 9

Team DECiBEL | 15 Feb 2016 | Live 9: 205.1 MB

Logic: 205.2 MB | KONTAKT: 203.2 MB

A hi resolution multi-velocity instrument aimed at recapturing the authentic character and tone of the classic Wurlitzer 200A. Even the mechanical noises of the keys have been individually recorded and they can be mixed within each host sampler environment. The included loop library contains over 30 riffs and phrases recorded by professional New York jazz, funk & blues keyboardists. Loops are conveniently organized into Apple Loops, Live Clips and Kontakt instruments depending on the user?s host sampler.

MalletPak Three KONTAKT LiVE 9

Team DECiBEL | 15 Feb 2016 | Live 9: 362.4 MB | KONTAKT: 361.3 MB

Multi-sampled Glockenspiel and Stonaphone mallet instruments. Includes over 600 individual samples and 12 advanced programs. The Glockenspiel has been used in classical concert and marching ensembles for decades, but it has also seen extensive use in pop music. From Jimi Hendrix to Rush to modern Indie Folk, the Glockenspiel provides a percussive sprinkling of metallic tones. Due to its small and portable size, the Glockenspiel has become the most common mallet instrument used in popular music today. The Stonaphone is an oddity, seldom seen or heard. Made of roofing slate on a mahogany base, the tone of the Stonaphone is vastly different than the metal bars of the Glockenspiel.